Posts Tagged ‘Culture’
Robb Johnson and the Corbynistas (Picture: YouTube).
One for all the pop-pickers out there!
The Metro reports (note, some of the words may have been slightly edited).
A Landmark Jeremy Corbyn Christmas single.
If, after a new kind of politics meeting, you’re getting super extra excited ‘n’ full of energy and enthusiasm to listen to this breakthrough track, the video is only a – safe – teaser – that’s right, the very best is yet to come.
The debut single is performed by Robb Johnson and the Corbynistas, and features a lot of people in lovely warm Christmas jumpers.
The video opens with Johnson on a street sweetly singing: ‘I’m voting Jeremy Corbyn, I’m voting Jeremy C. I like his ideas, they’re fair and they’re clear, Jezzer and me we agree.’.
And it ends with a group of people melodiously chanting around a table: ‘We’re voting for Jeremy Corbyn, JC 4 PM 4 ME.’
Smashy and Nicey say,” Clashtastic, mate!”ate!
Palme D’or Triumph for the Daniel Blakes of the Whole World.
Some good news, at last.
Ken Loach has won the Palme d’or at Cannes for I, Daniel Blake.
“Daniel Blake is a 59-year-old joiner in the North-East of England who falls ill and requires state assistance for disability from the Employment and Support Allowance. While he endeavours to overcome the red tape involved in getting this assistance, he meets single mother Katie who, in order to escape a homeless persons’ hostel, must take up residence in a flat 300 miles (480 km) away.”
France 24 reports,
The 79-year-old Briton attacked the “dangerous project of austerity” as he accepted the festival’s top prize from actor Mel Gibson and Mad Max creator George Miller, who headed this year’s jury. “The world we live in is at a dangerous point right now. We are in the grip of a dangerous project of austerity driven by ideas that we call neo-liberalism that have brought us to near catastrophe,” Loach said, adding: “We must give a message of hope, we must say another world is possible.”
And, he continued, “Necessary”.
Le Monde’s review noted that ‘welfare reform’ forms the heart of the film. That in the UK there is a veritable ‘crusade’ against the disabled, to root out those feigning illness (“la chasse aux tire-au-flanc a pris les allures d’une croisade) in a “néo-victorienne” Britain.
Moi, Daniel Blake n’est pas une satire d’un système absurde. Ken Loach n’est pas un humoriste, c’est un homme en colère, et le parcours de l’ouvrier privé de travail et de ressources est filmé avec une rage d’autant plus impatiente qu’elle est impuissante.
I, Daniel Blake, is not a satire about an absurd system. Ken Loach is not a humourist, he’s full of anger, and the progress a worker without a job, and without assets, is filmed with an indignation that is as exasperated as it is impotent.
This Blog is not an uncritical admirer of Ken Loach. He is against austerity and for social rights, the cause of the left. But his more specific politics, which include a lengthy membership of Respect and support for the cultural Boycott of Israel, as well as no known activity against Islamist genociders, or support for the Kurdish people in their fight for dear life against ISIS, are not always the same as ours.
Nor are all of Loach’s films, for all of their skill and intensity, always as deep as they set out to be.
Of the most recent The Angels’ Share (2012) is amusing but slight tale of Scottish scamps. It is not free, for all its would-be irony, of whatever the Caledonian equivalent of Oirishness is,. The Spirit of ’45 (2013) may seem a strangely uncritical account of the post-war Labour government. Jimmy’s Hall is a fine story set in the Irish Free state. But it is straining things for this emssage to pass, ” The behaviour of the state’s police is shown and explained to be occurring at a time when Stalin was in full control of the Soviet Union and it is obvious that the state and church are fearful of forces that threaten to destroy them. It is this tension between the ideals of Christianity and the fear of the church and its natural tendency to be reactionary that is the central issue that the film explores.”
It can still be argued that the trio have strong narrative coherence, and, in the case of Jimmy’s Hall, insights into the history of republicans, and the left, in the Irish Free State, and the characters swept up in the struggle for independence, the civil war, and their fate in in the aftermath, as well as cinematique beauty.
Loach will, nevertheless, be remembered for Poor Cow, Kes, Land and Freedom, and smaller, less technically polished, but robust films such as Raining Stones, Riff Raff and the Navigators, which demonstrate that ‘social realism’ is not always worthy but unwatchable didacticism, and Bread and Roses, which shows politically engaged drama at its best.
That said by tackling head-on the effects of the ‘reform’ of the British Welfare state I, Daniel Blake, hits at a sensitive nerve, and, frankly, righteous indignation is an emotion that’s widely shared about this. Its tale of people pushed from pillar to post, has been compared to Loach’s exposee of homelessness in the 1966 television play Cathy Come Home ,
The Minister in charge of the system of oppression bearing down on Daniel Blake, Iain Duncan Smith, is now a leading Brexit campaigner.
Appropriately Loach stands on the other side of the European Referendum debate, the solution is ultimately voting to stay. “we need to “make alliances with other European left movements”.
Sivadhasan is a Tamil Tiger soldier during the last days of the Sri Lankan Civil War. After the armed conflict resolves, his side loses and he is forced to move to a refugee camp. There he decides to move to France to take a fresh chance at life. However, in order to secure political asylum, he requires a convincing cover story. He is given the passport of a dead man, Dheepan, and pairs with people he barely knows posing as his family. Along with his supposed wife, Yalini and his supposed 9-year-old daughter, Illayaal, they get on a ship bound for Paris. Upon arrival, he lands a job as a resident caretaker and starts building a new life in a housing project in Le Pré-Saint-Gervais, a northeastern suburb of Paris, which turns out to be another conflict zone for him.
I saw Dheepan only a few weeks ago.
One hopes that Loach’s picture will not take so long to get to our screens.
Charlie Hebdo. Lettre aux escrocs de l’islamophobie qui font le jeu des racists. Charb. Review Article.
Posthumous Bolt of Light.
“This text was completed on the 5th of January 2015, two days before the terrorist attack against Charlie Hebdo, during which Charb lost his life.”
The Lettre addresses the reader, “If you think that criticism of religions is the expression of racism” “If you think that ‘Islam’ is the name of a people.” “If you think that punishing blasphemers will open the gates of heaven for you.” “If you think that left-wing atheists play into the hands of fascists and xenophobes” “If you think that it is essential to classify citizens according to their religion” “If you think that one can laugh at everything except whatever is sacred to you.” “If you think that popularising the concept of Islamophobia is the best way of defending Islam” ………..
“So, dear reader, this letter has been written for you”
Charb (Stephane Charbonnier) would not learn of the response of those he spoke to on the first pages of the Lettre. He was absent after those seeking paradise murdered him, eleven of his colleagues at Charlie Hebdo, a police officer and four customers of the Vincennes Hyper-Cacher.
In France, and across the world, millions expressed their solidarity and love for Charlie and all the victims of the atrocities. But there remained those who responded according to the 19 ready-made ideas about Islam Charb listed. Liberals and those claiming to stand on the left, marked by every single one of them, were prominent amongst those who contributed to a torrent of abuse whose echoes still resonate.
Mark Maguire, on the Stop the War Coalition’s site, stated that Charlie was “a rather unpleasant French magazine” that published “anti-Islamic cartoons”. Others pitched in. It was ‘Zionist’ and ‘neo-conservative’, with the imprint of former Editor Phillipe Val who is said to have promoted these views. It was – it would be an easy task to cite thousands of articles – ‘Islamophobic’. It was vulgar and racist. It specialised in the pornographic mocking of sacred beliefs, above all of Muslims.
The Weekly, as the Socialist Workers Party template set out, was known for its “provocative and racist attacks on Islam”. Norman Finkelstein tried to create an industry out of this holocaust. He declared that the paper was not satire but “sadism” and compared it to the anti-Semitic Nazi Der Stürmer. An apparently anti-racist alliance, Unite Against Fascism (UAF), held a special session at their AGM on why “je ne suis pas Charlie.”
This hostility has not died down. ‘Rules’ for satirists appeared – which Charlie had apparently broken. It should have targeted the “powerful.” Will Self judged that satire ought to “afflict the comfortable and comfort the afflicted”. Literary critics, enforcing these new Aristotlean unities of satirical style – breached no doubt by Rabelais, Hogath’s drawings, and the plebeian Viz comic, not to mention early Soviet anti-religious propaganda – have tried to establish their decree. (1) We could call it ‘satirical realism’. Even cartoonists joined the would-be Zhdanovs of correct caricature. As have authors. Read the rest of this entry »
Ideal Happy Suffolk Library User.
In 2012 Suffolk LIbraries were taken away from public ownership (‘divested’) and direct control by elected councillors under a hard-right leadership of Suffolk County Council. They were given to an Industrial and Provident Society
Or as they put it,
In the first arrangement of its type in the UK, and after extensive consultation with the people of Suffolk, on Wednesday 1 August 2012, all of Suffolk’s 44 libraries and the mobile, school and prison library services were put under the direct control of the Suffolk’s Libraries IPS Ltd, an independent company registered as a charity.
Suffolk’s Libraries has a long-term contract with Suffolk County Council to ensure the service is delivered to an agreed specification and to work with local community groups to develop locally-focused services at each library.
The county council remains the statutory library authority, and monitors the performance of the library service through a framework that forms part of the contract.
As a member of the Ipswich Friends, who are on the list, I would be interested to know how this election took place – certainly it would be hard to recall being consulted, let alone presented with a ballot paper.
It would be possible to go further into this arrangement, whose transparency has been unfavourably compared to the Kremlin’s under Leonid Ilyich Brezhnev.
Our concern is the future of the libraries.
It would seem that a number of problems have come to a head: Ipswich Library is opening late tomorrow, because a special ‘Staff Meeting’ is taking place.
It is known (I have seen a copy of the, non-public, minutes of the meeting) that part of the Library is to be transferred to a business ‘hub’ of some kind (as if Ipswich needs another one….).
Appropriately commerce will replace part of the Arts section.
In the meantime a large number of books from all over the Central Library are ‘disappearing’ and some books on the shelves are ‘not-recognised’ – about to be withdrawn for sale.
One loyal member of staff say that these volumes have gone to a better, happier, place.
Others, less favourable to management, suggest that the “disappeared” will never be seen again.
The computer provision, which last year’s annual public report (a rare glimpse into the Provy’s workings) needs upgrading, is in a mess.
Some new terminals are available (though 2 have already broken down) with super, indeed excellent, service, exist (though their censorship filter blocks some left-wing sites).
Some of the old ones still function.
There is a shortage of free computers and great competition to use them – an essential activity for Jobseekers.
But near to them are the dead carcasses of extinct terminals, a sad reminder of former days.
We suspect a funding crisis is in the offing and “profit centres” are seen as the way out.
Note the word “suspect“, not “certain”.
It is said – from the Management – that “nothing has been decided yet” about the libraries’ future.
We have heard that one before: it is no doubt taught in many ‘dealing with a crisis’ master classes for managers.
Bardot to Quit France, a Nation Mourns.
On Europe I this morning and here,
“Famous French actress Brigitte Bardot threatened the French authorities, following her colleague Gerard Depardieu, that she would seek Russian citizenship. Bardot, being an active defender of animals, tries to attract public attention to the euthanasia of sick elephants in a Lyon circus.”
Bardot is most famous for her perfect bum, in the film, Le Mépris, and her ability to sing in the same key, again and again, for her- numerous – Records is an active supporter of the French far-right and animal rights.